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Indian tattoos – traces of the divine

Girish Giridhara’s arms are tattooed with Hindu gods, goddesses and sacred mantras. The spiritual designs are intricate but also hardly surprising for a man who once trained to be a priest.
Shaven-headed, with gold earrings and a red tilak on his forehead, the 36-year-old tattoo artist looks relaxed in a sleeveless t-shirt, knee-length shorts and flip-flops at the Indian Ink tattoo convention.
The exhibition in Mumbai this weekend is billed as India’s first, with organisers hoping to tap into a growing interest in permanent body art among young Indians.
But Girish, an exhibitor
at the event, knows that body art in India is not a new trend set by cricketers or movie stars.
Tattooing has been an integral part of Indian tribal culture for centuries and no Hindu wedding is complete without the mehndi ceremony, where the bride’s hands and feet are elaborately decorated in non-permanent henna.
“It (tattooing) is documented in the Vedas (scriptures) from the time of (the Hindu epic) “It’s been around for a long time, then it disappeared for some reason. Now it’s come back,” Girish, who runs the Bramha Tattoo Studio in Bangalore.  told AFP.
Reality television shows like “LA Ink” – about tattoo artists and their clients in Los Angeles  –  have helped changed the modern mindset towards tattoos in India, he said.
“About five years back people didn’t want to go for tattoos. They used think it was only for junkies. People are more open-minded now. It’s now being seen in a very good light.”
That change has also influenced designs, with previously popular Western and Japanese art making way for styles reflecting India’s rich and varied artistic, religious and cultural heritage and as a form of identity and self-expression.
Girish’s route into tattooing was unconventional. He comes from a family of Hindu priests and studied in temples between the age of eight and 15 to become one himself. He first became interested in body art aged eight, around the time of his threading ceremony  –  an initiation rite among upper-caste Hindu males to signify adult religious responsibilities  –  and developed his skills.
“There was a lot of opposition in my family (to him becoming a tattoo artist),” he said.
“But we asked the scholars and they said tattooing can be taken as an occupation by a priest if it involves spiritual guidance and medicinal use. So, I started tattooing.” Even though he may not be a practising priest in saffron robes, Girish still sees a divine element to his work.

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